Ian Lockwood

MUSINGS, TRIP ACCOUNTS AND IMAGES FROM SOUTH ASIA

Panchromatic to Multispectral: Personal Explorations of the Western Ghats/Sri Lanka Biodiversity Hotspot

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For the last three years Nature in Focus has been an important gathering for people interested in photography and conservation. While hosted in the south Indian metro of Bangalore it has a global outlook and many of the speakers and participants are experienced with photographic and conservation projects in the broader global context. The two day workshops held in early July are the brainchild of Kalyan Varma, one of India’s leading photographers/ cinematographers working in conservation. This year I have been privileged to be invited to share some of my experiences using photography as a tool for conservation. Accompanied by our daughter Amy I will be sharing images and insights from my experiences documenting landscapes and ecology in the Western Ghats/ Sri Lanka biodiversity hotspot. The talk will consider the black & white aesthetic in the South Asian context as well as the changes with process as the traditional darkroom has evolved with the advent of digital tools. I also wanted to share some of my personal personal experiments with using geospatial and multispectral opportunities to better understand changing landscapes in the hotspot. I’m looking forward to the  opportunity to meet old friends, make new acquaintances and participate in the exchange of ideas for the benefit of biodiversity conservation.

Portions of the southern Western Ghats emphasizing Landsat thermal bands above 380 meters.

New work with GIS: Map showing selected portions of the southern Western Ghats emphasizing Landsat thermal bands above 380 meters.

Anai_Mudi_Moonscape_(1993)(72)

Anai Mudi Moonscape, Eravikulam National Park (March 1993). Fujica 6×9 (80 mm) fixed lens. Konica Infrared 120 film.

Kukaal_Fires(2002)(72)

Farmer burning agricultural waste, Kukkal, Palani Hills (May 2002). Mamiya 6 with 80 mm lens, Kodak T-Max 100 120 film.

Leaves_in_Anaimalais(1998)(72)

New growth, Anamalais Tiger Reserve, (June 1998). Mamiya 6 with 80 mm lens,  Kodak T-Max 100 120 film.

Sabaraimalai_Pilgrim_Portrait(2002)(72)

Sabaraimalai Piligrims, Periyar Tiger Reserve (January 2002). Mamiya 6 with 80 mm lens, Kodak T-Max 100 120 film.

Seen_God_Portrai_(2011)(72)

Seen God Portrait, A( July 2012). Hasselblad with 80 mm lens. Kodak T-Max 100 120 film

First light on Twin Peaks, Palani Hills (June 2012). Digital composite image using a Nikon D-300 with 24-70mm lens.

First light on Twin Peaks with the South West Monsoon over Kerala, Palani Hills (June 2012). Digital composite image using a Nikon D-300 with 24-70mm lens.

Written by ianlockwood

2016-06-30 at 1:07 pm

One Response

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  1. Great stuff

    Gihan Somarathna

    2016-08-02 at 10:21 pm


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